Sathyam Cinema’s poor website design screwed my Weekend

Ask my friends how many movies I used to watch every week.There was a time ,last year when I used to watch as many as 5 movies per week,most of them Night shows.Kiki was my movie partner and had a lot of adventures like being caught by the corrupt night policemen near the Madhya Kailash signal.We even used to watch movies continously.

  • 7PM -9PM Journey to the Center of the Earth(English)
  • 9:30PM-1:30AM A Wednesday (Hindi)
  • 2 AM We were caught by a Corrupt Policeman while coming back at Madhya Kailash Signal
  • 2:03 AM KIKI dials 100 to complain about the policeman who caught us
  • 2:05 AM I give Rs.140/- to escape the cop before the other cop(whom kiki called for SOS)reach the spot

I give all the credit to the online booking system by sathyam cinemas at thecinema.in.We used to book the tickets at the end of day just an hour before the movie.The ‘Q’ was really DEAD.The website was intuitive and mostly flash based.We struggled a lot when we booked the movie tickets through mozilla , though the site worked like maska in IE browser.

It’s been around 8 months since I had visited Sathyam Cinemas though I have frequented Mayajaal , INOX and our own RAKKI [Ambattur's biggest Multiplex :) ].After a long time I wanted to watch a movie at Sathyam.I was planning to watch both ICE AGE on SATURDAY and TRANSFORMERS on SUNDAY.When I tried booking the ticket,I found the thecinema.in has undergone a complete transformation during the multiplex strike period.

The site is fully done in FLash.I suggest they could have had a LIGHTER version of the same site for people booking the tickets from low configuration systems.

Another major design fault in the site which screwed my weekend was WRONG colors chosen for the active tab in the ‘MAKE PAYMENT’ screen.Take a look at the thecinema.in’s MAKE PAYMENT screen below

PAYMENT THROUGH FUEL CARD OPTION

PAYMENT THROUGH FUEL CARD OPTION

MAKE PAYMENT SCREEN -PAY THROUGH CREDIT CARD OPTION

MAKE PAYMENT SCREEN -PAY THROUGH CREDIT CARD OPTION

I noticed that the line separating the inactive tab shouldn’t be there for Active Tab.

Minor flaw yet it spoiled my weekend

Minor flaw yet it spoiled my weekend

Second thing I noticed was the color of the inactive tab is more eye catchy than active tab, which lead to a confusion in my mind and When I wanted to switch to PAY BY CREDIT CARD MODE, I kept on clicking on the FUEL CARD tab without reading the tab title,thanks to the color of the inactive tab which looks like an Active Tab.

You call this poor Design of thecinema.in or my impatience,it took a lot of time for me to figure out the difference between the active and inactive tabs and I ended up booking the tickets for Transformers for Wednesday Matinee show.In order to compensate for the half day of work at office I burned my Sunday in my cubicle.(Remember there was no A/C on Sunday).

Hope Sathyamcinemas takes note of this simple yet weekend screwing design flaw and make lives easier.

Update: April 17,2010 I have done a storyboard that reflects my reaction to the website’s poor interface design:

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Mc Guffin

This is something to really think about as designers beyond the curriculum and submissions.Innovation seems to be of two types :
(a) Sustaining and
(b) Disruptive
Even within the first category we have two more sub categories
(a.1) Evolutionary
(a.2) Revolutionary
Both the types of innovation Sustaining and Disruptive are about creating SYSTEMS for the betterment of people(or solving people’s problems or in more abstract sense FREEDOM from troubles).The Sustaining innovation has a natural tendency towards SYSTEMs and tends to retain the existing one and improve the current system. Disruptive innovation on the other hand has a natural dislike for SYSTEMs but in the end even disruptive innovation ends up making a system (with more degrees of freedom and bigger boundaries of destiny*).The picture here (which I took from a facebook meme), is a complementary to this argument.
Image
If freedom is the ultimate goal, sustaining innovation and disruptive innovation are constantly working towards it though their styles of operation are different and sometimes even consider each other as their competitors (this resembles the conflicts between Gandhian style of freedom struggle and Bhagat Singh style of freedom struggle).
But FREEDOM (which can also be compared with SOLUTIONS to PROBLEMS), we might never be able to achieve that because it probably doesn’t exist at all.Even if we are free from the earth’s gravitational pull we are bound by the gravity of the sun and even if we escape the solar system we are under the gravitational influence of the star cluster the Sun belongs to and even if we escape the star cluster we are under the influence of the Milky way galaxy probably it goes on like that forever.
The argument above might be sound too trivial for few, might even sound like my usual rant , might go above your head like a bullet and some might even label it as “Humbug” but believe me, I am kind of overwhelmed by the above argument which is probably the best thing that happened to be after coming to IDC. And I hope that this philosophy reflects in the games I would be making.
Why am I sharing this thought with everyone ? May be my “Throat Chakra(the chakra for expression)” is too active today that makes me to express the thoughts that implode inside my mind all the time.Had the “Third Eye Chakra” been active I would have felt the argument and kept quite.
It would be really great to have a constructive debate (newbies and veterans alike) over the topic  “Does design in India accommodates both the types of design innovation sustaining and disruptive ?”.The question is asked with an assumption that “Design is a wholistic approach to problem solving (or freedom from troubles)”
You must be wondering what doesn Mc Guffin mean ? I will be writing about it next week.

White Horses of Aiyannar 5 (The Puja)

I got up as early as possible in the morning and took an auto-rickshaw to avuniyapuram aiyannar temple.I informed velmurugan pujari by phone that I am on the way.It costed me 75 bucks to reach the place since it was around 5 KM from the Madurai Meenatchi temple.I had no idea if the fare was fair enough because auto-rickshaw fares differ district to district within Tamil nadu.

When I reached the temple, priest vel murugan had already started cooking pongal for the puja. He even had few kids as assistants in helping him for preparation of puja materials.Among all the kids who were waiting for the puja rather pongal to be served at the end of puja, Nagraj was the eldest and to me seemed to be a bully.

His roles were the following as an assistant priest included:

  • bringing wood for cooking pongal
  • maintain silence and peace among the other kids in the temple
  • hit the temple bell while the pujari is doing the puja

Once the pongal was done, the priest Vel murugan asked him to cut the banana leaves into small pieces so that it can be used to serve the prasad to everyone.

Nagaraj

pujamaterials2

assistantsgallore

the priest assigned few boys as his assistants

The kids as usual were restless and never sat in one place hence a constant and never ending task for Nagraj to make them sit at one place.

IMG_0818

Because it was not any festival or poornima or amavasya a few visitors would come to the temple just to pray and leave immediately.The priest would say to the rare visitor that “today I am doing a puja, so wait and watch and then go”.Some said they are in a hurry and some decided to wait till the puja is over. Puja material were the following :

  • Marigold flowers
  • two coconuts
  • incense sticks
  • camphor
  • betel leaves
  • bananas
  • lemons

The pujari did the puja to the central god amman and then did the same to all the statues in the temple complex in the following order.

  • Ganesha
  • Amman (the central god)
  • Aiyannar (on the horse statue)
  • Karruppasamy

GodsintheComplex

The pujari seemed to be going in multiple iterations of aarthi to every god in the same order as mentioned above, the logic behind which I didn’t understand.

6

Ganesha – always the first god to be remembered

5

Murugan (who also happens to be in this temple,usually not present in an Aiyannar temple) gets the second respect

4

then it is the Amman – the central god

3

it’s ganesha again

2

The Aiyannar (and also the horse of Aiyannar ?)

1

another avatar of Amman (a separate shrine, built by a devotee but not exactly part of the original temple as build by the temple trust)

Karruppan

finally it was Karruppasamy ( assisting god to Aiyannar who is guarding the central god Amman)

While the last iteration was going on, I could hear a kid sitting inside the temple complex to another kid on the road (outside the temple complex) that “Puja over da, they will give it(pongal) now ….just two minutes da …come fast”

Once the puja was done the pongal was served to every one in the temple after incense stick ash and the holy water was distributed to people in the following order

  • The sponsor (me)
  • The eldest member from the people in the temple
  • The kids
firstMe

the blessing of the burning camphor and vibhuthi first to me

a lady who waited till the end of puja

eldest person among the rest of audience

theKids

then it’s the kids

theholywater

aftter the vibhoothi the (thiruneer) holy water first to the sponsor of the puja

PrasadamtoAll

pongal prasad to everyone

prasadampongaltotheAssistantpriests

the assistants eat at the end

and I was given half of the puja material (which I sponsored) and the half was kept for the Amman along with a garland of flowers adorning my neck.

whitehorses

Singing priest

While I was shooting the puja an old man (also a priest) came and stood in front of me.He was thin and having a long beard.I backed off a little thinking he might object me from shooting the puja and almost got ready to close the camera but to my pleasant surprise, the old priest started singing almost at the top of his voice. It was evident that he was singing in the praise of lord Ganesha as the saviour of Avuniyapuram. These were the verses “Siva Sakthi Vinayaganey…Intha Avuniye kathavaney

singingPriest

Once the song was over he started singing another song.He was probably singing all the songs he knew.He sang around 7 songs on Aiyannar and Ganesha and then  stopped.I recorded all the songs and finally introduced myself before asking his identity.Before the old priest could answer , Vel murugan priest interrupted and said “he is the another priest to this same temple, like me”.I started asking them questions which I had on Aiyannar and the following are few interesting excepts from the  conversation.During the conversation I realised that Vel murugan priest is the kind of interruptive because he interrupted every conversation I was trying to strike with the old priest.Then I made it a point that I am asking the questions to both the priests to have as informative interview as possible.

interviewStarts

 For the interview click here

 

White Horses of Aiyannar 2 (the trail at a glance)

I learnt from the internet and few ethnographers whom I knew few years back that ethnography projects take years and the ethnographers almost dedicate their lives for the project.This project was a month’s project which simply got extended due to various projects I was stuck at the same time.I did travel and took interviews much to my satisfaction but couldn’t document it until now.Better late than never, following is the trail of my journey during this project.I will be documenting two journeys which I undertook during the project.

  1. Journey I  -  Dec 6 to Dec 13, 2011
  2. Journey II – August 29-September 2, 2012

Journey I

  •  6 Dec 2011 – reaching chennai from Mumbai
  •  6 Dec 2011 – Arranging travel and accomodation for myself in Madurai
  •  7 Dec 2011 – Set off to Madurai in state transport bus
  • 8 Dec 2011 , Morning – Reaching Madurai and meeting Abdullah Uncle
  • 8 Dec 2011, Afternoon – Aiyannar temple hunting on the NH38 highway
  • 8 Dec 2011, Evening – Stop at one of my relatives place who lives in Tuticorin
  • 9 Dec 2011, Morning – Thiruchendur Murugan temple
  • 9 Dec 2011, Afternoon – Return journey back to Madurai
  • 9 Dec 2011, Evening – Visiting one last temple which we missed in the beginning and made arrangements for an a puja(or archana) next day
  • 9 Dec, 2011, Night – Stay at a cheap restaurant in Madurai
  • 10 Dec 2011, Morning – Visiting the Aiyannar temple and interviewing the priests and observing the proceedings
  • 10 Dec 2011, Afternoon – Vacated the lodge where I stayed last night and headed towards Madurai Meenatchi temple which I came to know that it was closed due to Solar eclipse on that day
  • 10 Dec 2011, An eureka moment while clicking the photograph of the gopuram of Madurai meenatchi temple from outside.The eureka moment was about the idea of documenting the change in the attire of the guardian gods because I faintly remember seeing the Aiyannars depicted in army dress somewhere in the ECR road but don’t remember exactly where.
  • 10 Dec 2011, Evening – Headed towards my native place, Alakkudi a village near Chidambaram. My co-traveller, Siddiqui, in the bus was a forest officer with whom I became very thick friends on the way.He even called me almost a year later asking about my endeavours. He gives me leads which would be the target destinations in the future journeys.He even tells me about a temple near Kanyakumari which is dedicated for a british officer.
  • 10 Dec 2011, Midnight – Reach Atchalapuram a stop before my village where my aunt lives.
  • 11 Dec 2011, Morning –  Had a long conversation with my Aunt about my own Kula deivam, Periyandavar who is also one of the 21 Aiyannars.
  • 11 Dec 2011, Afternoon – Leave for my village Alakkudi to meet my Tauji and Chacha’s family.Had a long discussion about my experiences and discussed about the eureka moment I had at Madurai Meenatchi temple with my chacha and to my awe I discovered that there are many Aiyannar temples which can give me more eureka moments.The journey had a new purpose to visit atleast one temple which had guardian gods depicted in police uniform.
  • 11 Dec 2011, Evening – Showing computer games to kids in the neighbourhood and made some observations.

horse

  • 12 Dec 2011, Afternoon – Visiting the temple near Chidambaram where I found the temple surrounded with guardian gods with police uniforms.Also found paper chits tied to the legs of the statue of the white horse.Heard a very interesting story about the chits tied to the legs of the White Horse statue from a tea shop owner.Heard stories about the commotion that has stuck the devotees of Aiyappan due to the growing tension between Tamil Nadu and Kerala regarding the Periyar Dam.
  • 12 Dec 2011, Evening – Visiting the place which is said to have the place of worship of Periyandavar, our lineage god.Fear and insecurity taking over and making me switch of the camera after clicking two pictures.
  • 12 Dec 2011 , Late evening – Back to my Chacha’s place at Alakkudi. Showed the pics clicked at various places. Found the SD card missing after a while and searched the entire house for the SD card but in vain.
  • 13 Dec 2011, Morning  - While getting ready to go back to Chennai I found the missing SD card inside my camera pouch.It looked like a miracle because I saw inside the camera pouch yesterday night when the SD card was found missing but it was there now.My Chachi says it was Aiyannar god himself who returned the SD card back to me.
  • 13 Dec 2011, Midnight – Reached Chennai.
  • 14 Dec 2011 – 17 Dec 2011 – Read the book “Art of Game Design” because I was supposed to finish a report for extended P2 project
  • 18 Dec 2011 – Start for Mumbai in Mumbai Mail
  • 19 Dec 2011 – Reach Mumbai and got myself busy with the P2 project presentation till 5 Jan

JOURNEY II

Journey II was the serendipity that was still continuing after my serendipitous journey to Arunachal Pradesh which was an extension to my game design project for P3. My friend-turned-brother Saravanan who wanted to start a company has already registered the train tickets to Coimbatore.We signed the legal papers related to the company and amongst these three events which within three days.

  • 29 August 2012 – I turned 29  and also Saravanan’s uncle’s marriage function
  • 30 August 2012 – Legal papers for the company got ready
  • 31 August 2012 – Saravanan turns 25 and we signed the legal papers regarding the company. I was all set to explore the Bhadrakali amman temple the next day.Siddiqui calls me at around 9 PM and asks about the project and me.Had a long chat about the Aiyannar temples in Pudukottai and promised that I will be visiting pudukottai soon.
bakasur statue at bhadrakali amman temple

bakasur statue at bhadrakali amman temple

  • 1 September 2012 – Visiting the Bhadrakali temple near Coimbatore hoping to find few Aiyannars as well.Found some other stories of different guardian god namely Bakasur but not Aiyannar. Found  a sharp connect with the story of the british officer’s temple in Pulliyoor as told by Siddiqui with the Bakasur’s story.
  • 2 September 2012 – Leave for Mumbai without visiting my native place much to the disgust of my family members.I promised them that I will return in December or in January atleast because I had a lot of projects to be completed some of them were commercial ones which I was doing for my living.

Read further in the project at this link

White Horses of Aiyannar 1 (SOP)

What am I ?

This ethnography project on Aiyannars was a diversion from the usual me who always sits in front of my laptop and did either of the two things (a) watching TED talks and interviews of various game designers (b) fiddling with the construct game engine to make games which I believe are going to change the world for better (trust me I am a designer).Probably one of the reasons why I took up this outdoor project was my subconscious mind which seemed to have deeply inspired by Shigeru Miyamoto who is said to have gone for an evening walk when the idea for the most loved video game by mankind,”Mario”, came to his mind.But that was a subconscious reason and note the word “p-r-o-b-a-b-ly” there.

“A goal is not always meant to be reached.It often serves simply as something to aim at”

ravanaimage courtesy: http://www.deccanchronicle.com/

The reason (a conscious one) why I wanted to do this project was because I wanted to remove the monkey off my back which poked me to make a documentary of a journey in the “Lonely planet” style(which was my favorite travel documentary on discovery Channel) also I wanted to try something which I am not good at, “candid talk with people”, specially to the people from the rural.Me coming from  a metropolitan upbringing always felt this disconnect when it came to talk to people from my village.I have definitely changed a lot after a year of sabbatical I spent in Delhi  before joining IDC but I still wanted to get more of this.May be I wanted to bring the “Hippie” inside me to wake up.Another reason for this project was that I was always poked by my north-Indian friends by saying that south-Indians worship Ravana (the character representing evil in the Hindu epic , Ramayana).I always doubted “was it the Aiyannars whom they(my north-Indian friends) have mistaken as Ravana?” because both are depicted as huge scary idols.I wanted to see if there is any truth in this speculation of mine.That’s all, these were the only two reason why I wanted to do this project.

previous experiences

I had already done a user-study trip to mount abu in the year 2010 which was for finding ways to ease the use of camera mobile technology for the rural population.I never found myself there because I never believed in technology as a liberator in people’s lives.You might smell a conflict in my statements because I am from a technology background (atleast career wise). The fact is I was always seen as an eccentric guy with a slant towards art during my days as a software engineer.Similarly, I am being seen as an eccentric guy with technical slant in the design community after I came to IDC.

conditions before the start of the project

But ignoring the fingers that are pointed towards me (as I always have), I decided to work on video games which I believe is the sum total of all the creative mediums of expression ever known to man.I was really tired after a presentation spill in P2 project which was given an extension and I wanted a break desperately and hence was looking for serendipity that can save my equanimity.I felt looking within myself (into my own culture which is still an alien for me due to many reasons) would give me few moments of bliss.

For reading further in the project click here

NASSCOM – GDC (summary)

Last week I attended the GDC by NASSCOM in pune,Hyatt Regency Hotel.It was the first time for me to attend a game conference of any kind.It was nice to see the panel outside the hyatt hotel which was welcoming us.It said “Rise of Indies”.I have been making a game for the past eight months and in the process my outlook towards games have undergone a transformation.From creative outbursts of programming to now a very serious researcher in games.

I met a lot of game designers, game developers , media executives , game scientists and some newbies like me as well.The first day was opened by the keynote talk by Glen Schofield from sledghammer games.Followed by the panel discussion about the State of the Industry (in gaming in India).I enjoyed the talk by Dr.Souvik Mukherjee who spoke on storytelling aspect of games.He started the discussion with some really cool examples.The talks had three genres and the first ballroom was exclusively dedicated to the indie track.I enjoyed the discussions that happened after the talk as well during the lunch and coffee.Will be updating more as I will be blogging more on “deVign” in the coming weeks.

White Horses of Aiyannar 4 (The Journey begins)

Secondary research continues: As I said in my previous post, comparing Aiyannar and Aiyappan is not the goal of this project but it does serve one very important purpose in the project.A comparitive description helps to describe better.I was talking about a story which I read on internet before I left for the journey.The illustrations below explains the story.

<Coming soon>

So there seems to be different stories associated with Aiyannar in every search result on google.The first documentary(below) on Aiyannar seems to be the only decent documentary available on youtube.com whereas all the others videos are made by the temple trust itself and hence is more of an marketing video for devotees of the temple.Even this documentary is about the Temple at Taiping and not exactly about the Aiyannar himself.

The other videos  like this one, were mostly by the temple trust themselves and hence lacked the “external point of view”:

More the density of Aiyannar Temples,better the hunting spot for the legend:  I learnt that Aiyannar temples are mostly found (densely spotted) in the south of Tamil Nadu specially around the Madurai region.Hence I planned a trip from Madurai to Thiruchendur.Thiruchendur was an arbitrary location seleccted to end the journey.

journey 1 – Madurai-Thiruchendur

Journey into the mindscape : I would not say that I had a fixed plan which temples to visit and whom to meet because most of the friends whom I knew were like any modern Chennaites who are planning to get their “green card” ready by their retirements.Further the generation before me (my dad-mom) also seem to be unaware of the way of life that was in Tamil villages before independence.Modernity seemed to have arrived immediately after the independence to the villages in Tamil Nadu(thanks to able governments in the 60s and 70s  which is considered to be golden period of development in the history of Tamil Nadu) and blurred the sharp impact legends and myths used to have over the minds of people.So my journey is going to be tough because I might find artifacts scattered across the state but digging the legend from the people’s unconscious that is buried under the modernity.

Orange Santro of Abdullah uncle

Allah with me in the project : I took the car along with the driver from my uncle’s college buddy, Abdullah, who is a textile businessman in Madurai having an Allen Solly showroom.I started the interview from his showroom itself.

Journey of 1000 miles starts with a step : My first interviewee was Kaleeshwaran, a boy working at Abdullah’s textile shop.I started the discussion with what you know about Aiyannar.The boy was shy and reluctant to open his mouth saying he hardly knows anything.Then he said that Aiyannar gods are “Guardian Gods” (Kaaval Deivams) who guard the villages.There are many Aiyannar names and all of them refer to one god.They are also called “Kula Deivams” (meaning guardians of the clans).In the same temple where there is Aiyannar there is also another god who can also be Kula Deivam for some families.He is called Karuppanasamy.

Pandeeshwaran - DriverThe Journey Begins Then we started off to a 200 KM journey.We stopped at every Ayyannar temple that was coming on the way and clicked pictures but could hardly get any interviews because the priests were repelled by two reasons:

(a) My driver Pandeeshwaran introducing me to the priests as a researcher from IIT doing a project on Aiyannars

(b) Me holding a huge DSLR camera while my driver is introducing me

It was really awkward that most of the priests didn’t like to be interviewed by some photographer with long uncombed hair and studs in the ears.The way my driver was introducing me to the priests , I probably looked like a pampered child who doesn’t know what to do with his life.At some places I tried taking photographs first and if somebody stops me to do so I can apologize and ask few questions about Aiyannar and get some information.I did not know the art of interviewing until I worked with some three hard-core ethnographers in action in Arunachal Pradesh with whom I joined as an assistant or rather apprentice. During this journey I still had to know that people do open up into a candid interview only after few icebreaking questions.And even for icebreaking there is no fixed methodology.Me being from engineering background I was totally unaware of talking to people , though I was able to develop a good rapport and all, I always failed to make them talk candidly specially people from the rural.This was a skill which I lacked and sometimes envied whenever I saw people who had that.My classmate Deepak Singh had this amazing skill of getting along with any kind of people easily.

A visible pattern about the temple complex : Some temples didn’t have any priests at all so I was able to click pictures freely.I started guessing which statue is which while clicking the pictures.After 5-6 temples I started realising there seems to be a pattern in the placement of the statues in the temple complex.There always seems to be one central god who seems to be from the Shiva’s family.The central god would be any one form of parvati  or Ganesha or Shiva himself (but rarely) or Karthikeyan.But mostly it was the lady of the Shiva’s family whom the Aiyannar seemed to be guarding who is locally regarded as Amman.

Guessing who's who

Other idols in the complex

I also found idols of the following in most of the complexes:

  • sages,
  • dogs ,
  • naked women,
  • shiva ling,
  • five headed snakes

Not all temples like the one above in Madurai were rich in terms of grandness. Like any temple trust goes for a plain white gopuram to save money some of these Aiyannar temples also have reduced the number of idols to save money.Some temples didn’t have two horses and instead had only one horse statue with the Indran depicted.When I asked who is Aiyannar the priests showed the not-so-scary looking statue with the fair complexion.Like the texts which I read, these temples run by low budget trusts seem to be blurring the difference between Indra and Aiyannar and some between the Kaaval Deivams(Guardian gods) and Aiyannar but they never mixed the central god (Shiva/Parvati/Karthikeyan/Ganesha) to Aiyannar.This was very clear in this long unsuccessful trip.

A Trident or Spear always in front of Aiyannar idols

Another major thing which I found in every temple even in the lonely statued temples of Aiyannar where there is no central god, there is some symbol that represents Aiyannar’s affiliation to Shiva’s family either in the form of the three-pronged-trident or Karthikeyan’s Spear(locally called as Vel)

Back to Madurai from Thiruchendur still no interviews

A trip wasted: We were already returning back to Madurai and I had no solid interviews for the project.A lot of interviews were spoiled by my over enthusiastic driver.I was really upset by the way the journey has turned out because there were also other factors influencing this trip.My over protective uncle had asked my friend’s driver to return by the next day evening and hence the driver was always in a hurry and we could hardly stay at any temple for an interview.The driver was asking me so how was the trip and I said it was good but from inside I was really upset.I wanted to take one good interview in any one temple atleast.There was one temple left in Madurai which we didn’t visit beginning of the journey which was in the outskirts of Madurai.The place was called Avuniyapuram and the temple was known as Avuniyapuram Aiyannar Koyil.I asked my driver to stop near the temple and and asked the driver not to interfere my interview.I went to the priest and asked a few questions.The priest was surprisingly very helpful and seeing the camera in my hand asked me to click pictures if I wanted to.Then I said if I could offer something to the temple as offering.He said “any one can”. I gave him Rs. 300/- and asked to do archana(pooja) to Aiyannar with pongal the next day.The priest asked me to come the next morning 9 AM for the pooja.It was already 7 in the evening and the driver also seemed to be in a hurry to return the car to his owner.I decided to stay in Madurai for one more day to record the pooja which I sponsored.

TV donated by Tamil Nadu government at a cheap guest house

I found a guest house to stay for the night which was right in front of the grand Madurai Meenakshi temple in Madurai.I tried changing some channels on the poor Television set in the room then retired to sleep.

Click here to read further in the project

Forbidden mockery,a new weapon in the arsenal

Aseem Trivedi

Did you know that sometimes IIT’ians do care about their country.Trust me they do love their country.The reason why many of them (including me) aspire to work outside their country is purely because of two reasons:

(a) Poor Girl:Boy ratio at IIT’s which makes them think that they can find chicks(girls) in shores of foreign nature

(b) Futile systems that have ridiculously complex rules beyond comprehension

The first point might be an exaggerated fact because IIT guys do find good chicks in the campus,if not through the year, atleast during the Moodi fest.The second point is about how immature the systems in place are.Of course the creator of the system is not to blame because when the system was created it was created to the best of the creator’s knowledge and times and it catered to most of the problems known to have existed.The reason why great systems fail and crumble because the guardians of the systems who succeed the system administration fail to realise the importance of one crucial thing that rules every natural systems across the universe. EVOLUTION or rather CHANGE.

The guardians of the system try to protect the system in it’s original form and resist change which is why systems fail to address new problems that arise with changing times.Hence, disruption happens and the old system is destroyed and a new order is created.The new system in place runs without problems for a while and then when times change , problems change and hence the system starts to irk the people.Most of the people stay quite and silently watch the fall without realising that they are also in the sinking ship.But some people raise voice against the system and a new order is created.Like this, the cycle of creation and destruction continues.

Aseem Trivedi's cartoon against corruption

Assem Trivedi seems to be one of those who does realise that the ship is sinking and has dared to raise his voice.But he had to gone to the extent of insulting the nation by insulting the emblem(because silent prayers and humble requests doesn’t seem to be working anymore), but his intentions were purely to cleanse the dirty corruption; I do not know if going to forbidden limits will be a new norm in revolutionary’s and activist’s arsenal ; if that is so, a new world is waiting for all of us, but , before that we have to face the destruction of the current world order. Let’s get ready for the ride !!!

If CHANGE is difficult to incorporate in the making of a durable and  sustainable system atleast try to mimic the systems made by nature which have failed-to-fail even after million years of existence.

Following was one of the facebook stati of mine during my curriculum project during which I realised a fundamental difference between the way GOD and GAME DESIGN COMPANIES design their games(worlds/systems)

“God(atheists read god as  nature) created amazingly-complex world with stunningly-simple rules, but , we humans fail to beat God in creating worlds because we tend to create stupidly-simple worlds with ridiculously-complex rules”